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  • EXHIBITIONS
  • IN CONVERSATION WITH
  • PUBLIC PROGRAM
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  • ABOUT US
  • LIBRARY
  • JOIN US
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VIRTUAL

Visit the virtual exhibition Decolonial Dialogues with the Golden Coach.

EXPOSITION

MOED: What is Left Unseen in the Centraal Museum, spring of 2019.

MOED
  • © Andy Barnham

    ‘We Are Here, Because You Were There’: Andy Barnham and Sara de Jong in Conversation with Rosa Wevers

    IN CONVERSATION WITH ANDY BARNHAM AND SARA DE JONG                                …

  • Sorry, But What Will We Do Now?

    IN CONVERSATION WITH ROSEMARIE BUIKEMA A Dutch version of this essay previously appeared in De Gids.   ‘Awe mi ta pidi diskulpa.’ The 19th of…

  • The Revolt of Language, Forms and Images in Manon Uphoff’s Falling Is Like Flying

    The Revolt of Language, Forms and Images in Manon Uphoff’s Falling Is Like Flying

    In Conversation with Manon Uphoff and Rosemarie Buikema To try the accepted forms, to discard the unfit, to create others which are more fitting, is…

  • Corruption on Earth: on the Iranian Revolution, Art as Activism, and Fear/lessness/

    IN COVERSATION WITH OMID MIRNOUR AND DIANA HELMICH In January 2023, roughly four months after the start of the Iranian protests after the murder of…

  • Diamond without an r: Maria Barnas in Conversation with Rosemarie Buikema

    In conversation with Maria Barnas In 2011, Annet Gelink Gallery started a series called Conversation Pieces: video recordings of several artists in conversation with Dutch…

  • Oppositional Perspectives in the Provincial White Cube: Kara Walker’s archive on display at Museum de Pont in Tilburg

    IN CONVERSATION WITH PAUL VAN DE WATERLAAT A recent exhibition centered around the work from the New York-based black woman artist Kara Walker (1969) sent…

  • Colonialist Relations, A Symptom of Social Ill-health

    Arahmaiani’s Memory of Nature and Flag Performance in conversation with The Golden Coach For the exhibition The Golden Coach at the Amsterdam Museum, the pioneering…

  • Copyright: J. Van de Voorde © MRAC, Tervuren

    The AfricaMuseum of Belgium: Toward a Radical Decolonial Approach to the Museum

    IN CONVERSATION WITH EL MEHDI AIT OUKHZAME This article attends to the question of decolonizing the museum by taking the AfricaMuseum[1] of Belgium as a…

  • Mierle Laderman Ukeles

    What Comes Next: Reflections on Social Reproduction and the Art World

    IN CONVERSATION WITH GIORGIA CACCIATORE Last April, a group called NYC Art Workers started an online petition urging museums to retain their staff amid the…
  • UNADJUSTEDNOWRAW by BLACKMAU (2019) from the collection of New York Live Arts. Exhibited in Curating the End of the World online exhibition by New York Live Arts; Courtesy of the artist.

    Curating the End of the World: Afrofuturism and Black Speculative Art in Times of COVID-19

    IN CONVERSATION WITH FLORIEN KIJLSTRA Scrolling through the online exhibition Curating the End of the World – hosted by New York Live Arts and The…

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PARTNERS

Stedelijk Museum Amsterdam • GRACE: Gender and Cultures of Equality • WOMEN Inc. • InclUUsion • Groninger Museum • Terra Critica – Interdisciplinary Network for the Critical Humanities • Centraal Museum • Casco Art Institute: Working for the Commons • Artists’ collective Read-In • Atria - Kennisinstituut voor Emancipatie en Vrouwengeschiedenis • BAK (Basis voor Actuele Kunst) • Museum Arnhem • PCI - the Postcolonial Studies Initiative • Mama Cash • Netherlands Research School of Gender Studies (NOG) • Animals & Art Group

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