Reclaiming the Exhibition: the Case of Insight Share
IN CONVERSATION WITH EUGENE VAN ERVEN Equalizing, liberating or decolonizing museums, to me, should be about participation, a notion that is not self-evident or always…
IN CONVERSATION WITH EUGENE VAN ERVEN Equalizing, liberating or decolonizing museums, to me, should be about participation, a notion that is not self-evident or always…
IN CONVERSATION WITH SEMÂ BEKIROVIĆ EN GIJSJE HEEMSKERK Artist Semâ Bekirović has often collaborated with natural processes and entities. Her most recent exhibition project ‘Reading…
IN CONVERSATION WITH MEREL ZWARTS Departing from MOED’s online exhibition Onion/Union: Crafting Teenage Identities, a collaboration between MOED and artist, art educator, and researcher Merel…
IN CONVERSATION WITH PAULINE SALET The Guerrilla Girls have been featured in several Dutch museums before. In 2016, the Van Abbemuseum in Eindhoven organised a…
IN CONVERSATION WITH ASTRID KERCHMAN UPDATE: This article has been updated in August 2020, following the latest research outcomes on the person portrayed in Nola…
IN CONVERSATION WITH ANNE RENSMA In poetry, and specifically in the interactive performance of language that is spoken word, one can find potential to generate…
IN CONVERSATION WITH ANA ABRIL Kneeling on the paved sidewalk and wearing a precarious dress made out of poor quality fabric, the Brazilian performer and…
IN CONVERSATION WITH ASTRID KERCHMAN When I encountered the Guerrilla Girls poster Do Women Have To Be Naked To Get Into The Met. Museum (2012)…
IN CONVERSATION WITH SAMA KHOSRAVI OORYAD Graffiti art in Iran has adopted a powerful and political stance against increasingly aggravated socio-political conflicts and injustices towards…