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  • EXHIBITIONS
  • IN CONVERSATION WITH
  • PUBLIC PROGRAM
  • OUR PARTNERS
  • ABOUT US
  • LIBRARY
  • JOIN US
  • Dutch

VIRTUAL

Visit the virtual exhibition Decolonial Dialogues with the Golden Coach.

EXPOSITION

MOED: What is Left Unseen in the Centraal Museum, spring of 2019.

MOED
  • Maasai Insight Share

    Reclaiming the Exhibition: the Case of Insight Share

    IN CONVERSATION WITH EUGENE VAN ERVEN Equalizing, liberating or decolonizing museums, to me, should be about participation, a notion that is not self-evident or always…

  • Reading by Osmosis: Nature Interprets Man4

    Reading by Osmosis: Nature Interprets Man

    IN CONVERSATION WITH SEMÂ BEKIROVIĆ EN GIJSJE HEEMSKERK Artist Semâ Bekirović has often collaborated with natural processes and entities. Her most recent exhibition project ‘Reading…

  • Reflecting on a World Dominated by Adults: Making Art With Youngsters

    IN CONVERSATION WITH MEREL ZWARTS Departing from MOED’s online exhibition Onion/Union: Crafting Teenage Identities, a collaboration between MOED and artist, art educator, and researcher Merel…

  • Gloria Wekker, speech Ain't I a Woman

    Sojourner Truth’s “Ain’t I A Woman?” revisited

    A CONVERSATION BETWEEN GLORIA WEKKER, NANCY JOUWE, AND SOJOURNER TRUTH On the occasion of the exhibition MOED: What is Left Unseen in the Centraal Museum,…
  • Count me in

    Count Me In: Taking the Guerrilla Girls to Dutch Museums

    IN CONVERSATION WITH PAULINE SALET The Guerrilla Girls have been featured in several Dutch museums before. In 2016, the Van Abbemuseum in Eindhoven organised a…

  • Politics of Representation: The Cases of Nola Hatterman and Jan Sluyters

    Politics of Representation: The Cases of Nola Hatterman and Jan Sluyters

    IN CONVERSATION WITH ASTRID KERCHMAN UPDATE: This article has been updated in August 2020, following the latest research outcomes on the person portrayed in Nola…

  • Loving In Your Own Language

    Loving In Your Own Language

    IN CONVERSATION WITH ANNE RENSMA In poetry, and specifically in the interactive performance of language that is spoken word, one can find potential to generate…

  • Washing the Dishes with her Afro-Textured Hair: Aesthetic Innovation in the Performance Bombril by Priscila Rezende

    Washing the Dishes with her Afro-Textured Hair: Aesthetic Innovation in the Performance Bombril by Priscila Rezende

    IN CONVERSATION WITH ANA ABRIL Kneeling on the paved sidewalk and wearing a precarious dress made out of poor quality fabric, the Brazilian performer and…

  • Guerrilla Girls X J.A.D. Ingres: Rethinking Agency in La Grande Odalisque

    Guerrilla Girls X J.A.D. Ingres: Rethinking Agency in La Grande Odalisque

    IN CONVERSATION WITH ASTRID KERCHMAN When I encountered the Guerrilla Girls poster Do Women Have To Be Naked To Get Into The Met. Museum (2012)…

  • Graffiti Images on Tehran’s Walls: Using Art and Activism to Creatively Demand Justice in Post-revolutionary Iran

    Graffiti Images on Tehran’s Walls: Using Art and Activism to Creatively Demand Justice in Post-revolutionary Iran

    IN CONVERSATION WITH SAMA KHOSRAVI OORYAD Graffiti art in Iran has adopted a powerful and political stance against increasingly aggravated socio-political conflicts and injustices towards…

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PARTNERS

Stedelijk Museum Amsterdam • GRACE: Gender and Cultures of Equality • WOMEN Inc. • InclUUsion • Groninger Museum • Terra Critica – Interdisciplinary Network for the Critical Humanities • Centraal Museum • Casco Art Institute: Working for the Commons • Artists’ collective Read-In • Atria - Kennisinstituut voor Emancipatie en Vrouwengeschiedenis • BAK (Basis voor Actuele Kunst) • Museum Arnhem • PCI - the Postcolonial Studies Initiative • Mama Cash • Netherlands Research School of Gender Studies (NOG) • Animals & Art Group

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